Must Read ,Kuruluş Osman story behind the scenes !

Atv’s giant production will meet with the audience on November 20 Kuruluş Osman’s producer and screenwriter Mehmet Bozdag, “We are all in the depths of our souls Osman. Ottoman story, actually the story of all of us,” he said. He talked about the character that Burak Ozcivit is playing “When I saw his soul world, his gaze, Burak came to my mind. Burak Ozcivit, the legend has done the work, “he said.

GÜNAYDIN visited the set of Kuruluş Osman’ series in Riva which will meet the audience on the evening of November 20 on Atv screens.

Set in a 300-acre plateau, the set includes castles, historic cities, tents, caves, and even the river that runs through the cities. As soon as you enter the set area, you feel as if you are in another world. In fact, it is not the plateau but the cities and towns that have lived.

While visiting the set, we go to 1200s and go on a journey through history. When we visit the obas, grasslands, cities and places of the period, we find ourselves talking about that period. Everything is so realistic … When you look at costumes, places and accessories, you are fascinated. A portion of the land is reserved for the horses used in the series. Here, horses are trained in accordance with their natural environment. Everything is thought for players. There are caravans, containers, social spaces where they will stay and rest between sets.

Producer of Bozdağ Film Mehmet Bozdağ established an industry. They provide the opportunity to work in a very large area of the sector. There are about a thousand people working behind and in front of the camera. The teams have hardly changed in 4-5 years. We met with Mehmet Bozdağ, the producer, screenwriter and project designer of ‘ Kuruluş Osman’, on the set and we asked the architect of this big project what we were curious about. We talked with Bozdağ, who opened the doors of the 1200s and allowed us to witness what happened in that period, about the development of the Kuruluş Establishment Osman proj project, the cast selections and his curiosity for history.

We want to get out of routine, break the rote. Our story telling logic, the preparation of our actors, the atmosphere we built, cities, castles, tents, caves, real life … The scenes we take will be discussed for a few weeks. Emotion flows from each stage. We are successful, We have taken a very good success with Diriliş Ertuğrul, but it needs to be continuity. Burak Özçivit played Osman Gazi very well. Spiritually involved. He’s been working for a year.

IT IS A PROJECT TO BRING SOUND

I am involved in both design and scenario. We want our work to be the best. Our goal is clear. It’il make a lot of noise. We have established a pastel world as production size. These tents are handmade. Continuous cities, castles, inns and so on. We are producing. We have established industry in series and cinema. Our plateau is constantly growing with our new projects. We have a great team. Our staff dominates. Not only good players are enough for success.

WE HAVE AN ANIMAL CAST

We have been working with almost the same team since 2014. 90 percent of our team is the same. Our action team has been the same for 4-5 years. They work on us. ‘Turks are coming’ We shot the sword of Justice. It’s over in seven weeks. We have more than 70 horses. We have animals. Horse, sheep, camel, bird … We have brought the hawk bird for the film for 4 months. We have to do this to get realism.

SHAPING THE STORY FROM THE DREAM WORLD

I work 17 hours. Trailer, the episode ends, looking at it. Costume, the budget makes up for this. That’s how every moment goes. I’m a graduate in history. There are very few resources related to the Osman period. This is the main fount of all historians. Historians shape this period and time through these limited resources.

I shape the story from my own dream world, my soul world. When I tell the story, I pay attention to intrigue and adventure. The question is, “Hero, how does he become a hero?” We tell our hero’s success story, step by step there.

WE HAVE DETERMINED OSMAN PLAYERS FROM CASTIN FOR 5 THOUSAND

We have also imposed social media restrictions on the players so that the audience can adapt to that world. This is really important. Then I think we can give realism better. The audience must believe the characters here. We have a very strong cast. We chose from 5 thousand people.

I NEED TO WRITE THE SOCIOLOGICAL ARTICLES ABOUT OTTOMAN

My dream is to continue this long-term project. There is a demand all over the world. Indonesia, Chechnya, Central Asia, South Africa, Australia, the USA, Europe and the Caucasus are seeing favor and demand from many parts of the world. There are many visitors to our set and we are honored. Countless people came from the world and our country, and there were others who could not. Turkish state officials visited a lot. We are proud because everyone is curious, or rather we have a longing for the Ottoman Empire. I want to write a sociological article about it.

The desire to be able to return to those days, to experience those pure feelings again, to give a struggle for heroism again. They want a great hero like Osman to guide his story. This project activates our vessels. We are an ancient nation, and we are a nation of dreams. The state is our most important red line. When there is a dream about a project about it and when it is transferred well, our people love it and this time an epic begins.